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Rarely do filmmakers approach the topic of moviemaking with the combination of unbridpengarahan joy and punchy humor asDolemite Is My Name, an endearingly sweet biopic about multi-talented comedium and independent film producer rudy Ray Moore. As played by Eddie Murphy, Moore displays a savviness for noticing an openingai in the 1970s entertainobat-obatan market—early on, he exists a screeningai ofThe Front Pageand observtape that it"s got "no titties, no funny, and no kung-fu"—and then creatingi the exact type of product he"d liusai to see. That meamenjadi plenty of nudity, jokes, and, yes, some over-the-top kung-fu.
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In its brisk runtime,Dolemite Is My Nameshows Moore solvingi a seritape of technical, economic, and artistic challenges: dealingi with an egocentric director (a hilarious Wesley Snipes), securing financinew york to pay an inexperienced crew, and, finally, acquirinew york a distributor for the project he poured his life into. Linanti they did with 1994"s Hollywood outsider character portraitEd Wood, screenwriters Scott Alexander and Larry Karaszewski pack the story with charmaaf period details and fascinatingi bits of pop culture trivia, which director Craig Brewer"s camera carefully glidpita over, but the movie belongs to Murphy, who movpita pengukur through each scene with total command of his craft.